My mother’s maiden name was Morales (meaning: Place with abundant blackberry plants), while her mother’s name was Gomeze (meaning: Son of Gome, Gomo or Gomaro, also of Germanic origin), which are relatively common Latino names. However, she was born in the (former) Portuguese colony of Macau, which is a one-hour, high-speed ferry ride, south-west from Hong Kong. So, it was only natural for me (as a filho de Macau) to visit the old place when I first landed in Hong Kong.
If you ever visit Macau, there are two characteristics of the place that you should watch out for: 1) the mañana attitude of the locals and 2) the preservation of Catholic/Portuguese architecture.
You would never see anyone in Hong Kong walking around town in the middle of the road with their hands behind their backs! See what I mean about mañana?
The first time I visited Macau was in 1985. This is when I took the photographs of this post and explains why they look kinda old (sort of sepia-like). The transformation of Macau in the past 20 years has been quite astonishing. Basically, the government of Macau adopted the Broken Windows theory that was highlighted by Malcom Gladwell in his book, The Tipping Point (see page 141). When I first visited Macau, the place was run down and seedy. As the photograph below illustrates, although the buildings were quaintly Mediterranean and the atmosphere was decidedly relaxed compared wth bustling Hong Kong, underneath the denegration, the town was basicly being run by gangs of triads who were fighting for control of the gambling and prostitution rackets that still dominate Macau’s economy.
If you go to Macau today, you will be hard pressed to see a building in this much disrepair. The place has been spruced up, and the crime rate has declined proportionately.
The preservation of the Catholic architecture is best illustrated by Macau’s main landmark, the ruins of the Cathedral of St. Paul’s (which was built by Jesuits and badly damaged in a fire in 1835). I have posted two images of the ruins, one of my pictures of the remaining facade, and a sketch from 1834 by Macau’s most famous documentor, the 19th century English artist, George Chinnery (who lived and drew/painted scenes of Macau for 27 years until his death in 1852 – i.e. 24 years before the birth in Macau of my great grandmother Esperanza).
Along with the highly visible churches, Macau’s Chinese temples have also been maintained, thus enhancing the East meets West feel of Macau and adding a splash of red to the usual pale yellows and greens. Here are two images of the A-Ma Temple - from my 1985 trip and a sketch by Chinnery from 1833.
As I have familial connections with Macau, I thought it would be appropriate to invest in two sketches by Chinnery (a banana tree and a junk – both of which are inscribed with his unique codes), which I have posted below.
















